Um sem-lugar em Belchior: a escuta de alucinação

Abstract

The 70’s context, in Brazil, promoted different artistic manifestations which contributed to question pre-established realities and to find gaps in censorship and in the repression of freedom of expression, reaching the public and making the ideas to be spread, putting in discussion the status quo. At the same time, the cultural industry and the intense formal hand migration to the Southeast were culminating for the explosion of various cultural clashes of identity nature. Among them, this thesis highlighted the disc "Alucinação", by the songwriter Belchior, who comes from Ceará, released in 1976. This disc questions both the political and social situation as the manifestations of identity discourses. From an aspect called nordestinidade, an idea concerning local characteristics and feelings of not belonging to a certain dominant social stereotype, besides the connection of these aspects to time-space reflections, we designed a migratory route from the persona present in the disc responsible for putting into question the dialectic perception of reality through an alternative for this same dialectic. Thereby, it was possible to conceive in “Alucinação” an exercise of absorbing daily and present immaterialities, essential to problematize identities’ stagnation and its possible harms.