Dispositivos fílmicos e dispositivos sociais: o lugar da montagem no “documentário-dispositivo”

Abstract

This research is based on the conection between the perspectives of Jacques Rancière and JeanLouis Comolli on the political potencial inside arts and movies as a way to discuss its expression in the ―documentary-dispositfs‖. It aims to highlight the purpose of editing in the political reflection. According to this objective, first, there is an editing process analysis which goes through and builds the documentary Rua de Mão Dupla (2002), split into three steps (approach, filming and editing), asking questions about knowledge sharing and risk through responsability and decision making; then, there is conversation about the questions that surfaced during the analysis through the creation of documental dispositif, related to the methodology of Experimental research in the media arts.