Geopoéticas do espaço e da mobilidade: performances de trânsito nos filmes de Clarissa Campolina

Abstract

The cinema, as the action of a political transition in the world, pattern in our own bodies the effects of an intense contemporary mobility. But what, in fact, move the movies? As a practice of spaces, the cinema creates itself its own passage itinerary whose emotion is its main transport affection - images and subjects mobilize and are mobilized by the film. Guided by this cinema of affects, we have allied ourselves with the work of the Brazilian director Clarissa Campolina, with the movies Porto, Trecho and Girimunho. With them, we propose a special itinerary aimed to specific questions relating to space emptied by the hegemonic power, the errant displacement and the strength of a "minor movement". Reflections that bring out the displacement as a potency, as a traffic performance in the areas of the screen and life that are constantly presenting new settings and contents, which invite us to recognize the geopoetics that redraw, all the time, our own world journey.