Arte como órganon na filosofia de F. W. J. Schelling

Abstract

The aim of this work is to understand the concept of art as órganon in the philosophy of Schelling. To do this, we sought to place art in the larger framework of the Schellinguian philosophy, believing that it is in this interrelation of the phases within the philosopher’s thought that the locus of art is revealed. Thus, art as expressed in the System des Transzendentalen Idealismus in 1800 and in Philosophie der Kunst in 1802/04 is joined the aesthetic expression as outlined in the Über das Verhältnis der bildenden Künste zu der Natur of 1806 and the consequent direction towards Mithology in the final phase. That way, art offers the possibility of reveals itself as evident potency of the unity not only of the role real, but as concept, of Schelling’s own thinking.