Historiografia audiovisual: a história do cinema escrita pelos filmes

Abstract

This article aims to present the work developed by the Audiovisual Historiography Research Group (UFJF), which focuses on the study of films that present as a theme the cinema itself. First, I present an ongoing research project entitled “Audiovisual historiography of cinema in Brazil”; then, I seek the relationships between my work as a filmmaker and the concept of audiovisual historiography; finally, I bring two case's studies, the first of them on the documentary Panorama do cinema brasileiro (Jurandyr Noronha, 1968); the second, by comparing Carnaval Atlântida (José Carlos Burle, 1953) and La dama de las camelias (José Bohr, 1947, Chile).