Tessitura e construção em Lúcio Cardoso: o diálogo entre cores e confissões

Abstract

This work aims to find all modes of production of novels, in particular Crônica da casa assassinada (1959), under the light of the manuscripts and writing confessional of the writer Lúcio Cardoso (1912-1968) and to develop the hypothesis of the diaries are as writing lab. It also intends to observe the unfolding of themes as death, madness, loneliness, violence, religion and passion without measures, because these themes are responsible for the surrender of cardosianas characters to limit-situations, it reflects the unmasking of hypocrisy and social conventions, by means of a language rich in symbols and images. It concludes to be the landscape as representation of the feelings and impressions of the characters, as well as the symbolism of colors, can be an extension of the existential drama of the characters. Through the study of the convergence between the plasticity of the novels language and the representation of paintings, it aims to establish the link between the tessitura and the texture of the texts, featuring the fragmentation and the multifaceted variability Cardoso’s works.