O realismo reflexivo em Michael Haneke: análise da experiência afetiva do espectador no filme Caché

Abstract

This research proposes a study of the spectatorial experience involved in contemporary cinematic realism. By the concepts of André Bazin on the realist cinema, we want to understand a particular kind of realism, which we call reflective, and that will be discussed in the film Caché, 2005, Michael Haneke. We will see that in this movie the image allows the viewer to rethink what you are seeing. That happens because of the emotional experience involved in the perceptual process. Thus, such way to understand the realism will be analyzed from the perspective of the time-image of the philosopher Gilles Deleuze in his studies on cinema. Searching with this, a link between the notion of affection with the thought in beholder of the movie. To this end, we point out key aspects of current theories of affectivity in the research of cinema, like Anne Rutherford, Brigitte Peucker and Vivian Sobchack. Therefore, this study seeks to understand the experience of affection, as well as reflective experience in contemporary realist cinema.