O corpo como performance no cinema de fluxo

Abstract

This work aims at the idea of "corporal performance" in the cinema, as well as its connections with the so-called "flow cinema". For this, the last moments are: first, we present the concept of performance theorized by Elena Del Rio, who, based on the studies of Gilles Deleuze, understands the body in scene while being, submitted to potencies and possibilities, and powerful trigger of affections. Next we will make a historical course from the moment previous to the first realizations of the flow cinema, transnational aspect of the cinema that privileges a multilinear and diffuse sensoriality, in films, the narratives are centered in aspects of the daily life, privileging the sensations to the meaning, seeking a better well-being about the cinema. The last chapter is discussed between the concept of performative body and the flow cinema, through the analysis of the film Millennium Mambo (2001) of Hou-Hsiao Hsien, in order to understand the place of the "corporal performance" in this aspect of films contemporaries.