La palabra de la abuela en los territorios de la escritura femenina, una transformación desde el personaje lírico hacia el sujeto real: análisis comparativo de la recopilación poética: "Grito de primavera"

Abstract

This dissertation covers the contemporary regional poetry, based on the poetry collection Grito de primavera from 2016, book that was dedicated to the spring poetic contemplation in the Urabá region during the “V Encuentro de Poesía Las Musas Cantan”. The present work has three chapters. The first one is dedicated to the testimonial compilation in every oral poem from abuela’s heritage. The second chapter covers the spread of abuela’s words in the act of the poetry for territorializing. Finally, the third chapter embraces the transformations in the word and the repercussions in the creation of new territorialized spaces for the feminism in the poetry as a character and in the relationships between subject and real world. The analysis proposal will be based on Del Ritornelo theory, the meseta #11 from the book Mil Mesetas (2002) by Gilles Deluze and Felix Guattari, who articulates territoriality and art.