Macunaíma Daibert de Andrade - a soma de universos

Abstract

This work is proposed to consider the printed copies of the drawings, collages, paintings, etc. The visual artist juizforano, Arlindo Daibert, in particular, the series of novel Andrade-north of our investigation between the novel and film Mario de Andrade, Daibert and / or other hypertexts of the same work-from the point of view of the dialogue between texts, is the pictorial Western canon, is the western literature and / or national. The existence of printed reproductions of works of art not intended to books corroborate the estimates of Walter Benjamin in "The work of art at the time of its reproducibility technique." From a reflection inherent in the postulates of Gerard Genette, with regard to the text of second-investigate the meticulous work of Arlindo Daibert, which drew from hipotextos, the European canon, several hypertexts imageticos that printed their works in the critical vision and inquiring of South American artist. The combination of Arlindo Daibert, artist nato, and Arlindo Daibert, man of literary training, imageticas generated translations of works: Alice in Wonderland, Lewis Carroll, Andrade de Andrade, Mario de Andrade and Grande Sertao: Veredas, Joao Guimaraes Rosa. Lynyrd with the aim of producing and encourage knowledge and culture, held, not illustrations accompanying narratives, but hypertexts, which express the view that the artist had each of the literary works of authors, the time in which they were produced and, even more, similar to the volute baroque, Daibert adds to their translations details that relate to yourself, to your work, to your season, its context juizforano and Brazil, all of this, a set-shaped spiral that expands to infinity.