Mapeamento do Jornalismo de rock na era digital: uma análise das manifestações nostálgicas na mídia especializada brasileira

Abstract

The study analyzed the influence of nostalgic manifestations on the crisis climate that haunts rock journalism in the digital age. To achieve this goal, the evolutionary context of cultural journalism and rock as a cultural movement was outlined, along with the presentation of relevant points about nostalgia. Based on these insights, analysis criteria were defined and applied to 12 rock journalism products in the textual categories of “criticism,” “curiosity,” and “news,” which remain recurrent despite changes in specialized media. These products were sourced from four of the most prominent Brazilian websites at the moment, which were also analyzed: “Rolling Stone Brasil”, “Whiplash.net”, “Tenho Mais Discos Que Amigos!”, and “Igor Miranda”. In this sense, Laurence Bardin's (1977) content analysis methodology was used to guide the selection of sample elements and the achievement of results. The entire process was guided by the work of authors such as Laura Sikes (2017), Paulo Chacon (1985), and Rafael Machado Saldanha (2005). By combining theoretical insights with analysis, it was possible to map the current state of rock journalism and identify the core where nostalgic manifestations contribute to the idea of a crisis that has accompanied the segment since the popularization of the internet in the 1990s.