Do “Hora da Notícia” ao “Jornal da Cultura”: transições e permanências no jornalismo da TV pública

Abstract

The 1970s was marked by the intensification of the dictatorship in Brazil, but also by the emergence of a proposal for a differentiated television news practice, tensioning the hegemonic models and censorship. The chance to change in the shapes and production patterns, inspired by a document prepared by Vladimir Herzog was made practical by creating television news Hora da Notícia (HN), shown in the São Paulo public broadcaster TV Cultura. With a proposal for televisual information that prioritized the public as citizens, offering a concrete analysis of the events, the program went on the air in 1972, the peak of the Medici era. After 40 years from the initiative, ee have in the same channel, the Jornal da Cultura (JC). Created in 1986, the JC is configured as a major mean of access to information provided by the broadcaster. Given the above, this research aims to analyze the models / proposals of the two news shows in the search for characteristics that define the public character. We also analyzed how the memory and ideals of the HN are present in the station's telejournalism today and how far goes the journalism process of the HN is evidenced in JC.