A ambiguidade, o tempo e a atenção: uma reflexão sobre o realismo no filme O Espelho

Abstract

This research aims to analyze how the realism emerge in the iranian film The Mirror, through three main concepts: ambiguity, time and attention. These concepts will be think from the perspective of three different authors. The first of them, the critic André Bazin, will give us the basis to think the ambiguity through his studies of Italian Neorealism. The second author is Gilles Deleuze, who proposes the birth of a new image characterized primarily by its relationship with the time. And Jorge Larrosa, who, through his study about the concept of experience and attention, help us to think the relationship between reality-movie-viewer. From these perspectives, we will try to see the narrative particularities of The Mirror in its relationship with the viewer, also entering the film in a broader discussion of the realism in cinema.