Do videogame para a TV: uma análise da complexidade narrativa da série The Last of Us

Abstract

This work aims to analyze the central characteristics of narrative complexity in the series The Last of Us (HBO, 2023 - present). Aired by the American channel HBO, The Last of Us is set in a post-apocalyptic world where an infection caused by a fungus called Cordyceps decimates humanity, turning people into violent creatures. The series addresses themes of survival, connection, and sacrifice, exploring the fragility of human relationships. Coined by Mittell (2012; 2015), the narratological model of narrative complexity encompasses lements such as multiple layers of plot, three-dimensional characters, and unconventional narrative structures, such as flashbacks, irony, and metanarrative. According to the author, narrative complexity requires a cognitive demand from the viewer, who must connect events and understand the nuances of the characters throughout the story. Based on the characteristics of narrative complexity (narratological enjoyment, temporal displacement, the construction of three-dimensional characters, and the use of metanarrative and irony), we analyzed the first season of the series, consisting of nine episodes, aired by HBO between January and March 2023. It is concluded that The Last of Us employs sophisticated narrative strategies, such as flashbacks and the detailing of characters' motivations, to create a dense and emotionally engaging plot. These techniques challenge the viewer to cognitively engage with the story, enriching the television experience. The adaptation not only reinforces the original game material but also expands the fictional universe, taking advantage of the television format to deepen the metatext. The series explores complex narratives and digital culture, showing how different platforms can collaborate to create rich and immersive experiences for the audience.