O narrador autodiegético e a quebra da quarta parede em High Fidelity: o livro, o filme, a série.

Abstract

The present work aims to investigate the similarities and differences in adapting the same story to three different supports, namely a book, a film and a series, focusing on the use of the narrator in each support. The story in question is High Fidelity, written by the British Nick Hornby and published in 1995. Later, in 2000, the book gave rise to a feature film of the same name, directed by Stephen Frears. In 2020, the story was adapted into a series format, divided into ten episodes and aired on the Hulu streaming platform. Throughout the research, I hope to highlight the narrator's particularities in the three supports, in order to indicate a relationship between the concept of autodiegetic narrator established by the Frenchman Gérard Genette and by the Spanish José Luis Sánchez Noriega, its application in literature and fiction narratives recorded and associate it with the use of breaking the fourth wall in audiovisual works. In order to conceive the possible effects that these strategies generate in the narratives.