Diálogos entre mise-en-scène e auto mise-en-scène no documentário “teko haxy - ser imperfeita”

Abstract

This article aims to discuss the stylistic and subjective aspects of the concept of device documentary in first person, built by the meeting between Patrícia Ferreiro Pará Yxapy and Sophia Ferreira Pinheiro, the result of which is the experimental documentary Teko Haxy-Ser Imperfeita (2016). The film is particularly thought-provoking to know, how the voices are constructed, what these voices speak about and, certainly, what are the aesthetic and subjective issues arising from this documentary that derives from the act of filming the other and themselves. To elaborate this film analysis, we used the methodological principles of mise-en-scène and auto-mise-en-scène.