Batucando a existência

Abstract

This thesis aims to develop batucada as a notion, in an expanded perspective. In this direction, the batucada as a form of expression and investigative path in the field of Literary Studies. Therefore, the batucada, in an expanded way, as a field of experiences and movements in the scope of mastery, related to mestres and masters. Finally, the same to be understood as technology and knowledge linked to historical, social, economic and political aspects. Therefore, we are interested in reaffirming traits related to the human dimension that tends to compose its wefts and threads, to mark and demarcate its processes of technological adaptations and readjustments, mainly from the beginning of the 20th century. Between rigidity and rigor, it is important to understand batucada as a cultural language, that is, a creative, investigative, pedagogical practice and a place where listening is produced, at the same time it is produced. Thus, the batucada more than as a system of communication of ideas or feelings, but as a kind of dialect to provide sensations and expressiveness. In this way, this thesis has as general objectives the possibility of contributing to the democratization, circulation and diffusion of access to intangible cultural goods such as batucada. As well as the intention of being able to interfere in an effective and equitable way to mediate an increasing presence of masters and genuine masters of authentic knowledge and technologies, in the most different spaces of society. In specific terms, this study seeks to articulate points related to what may be important and necessary to review the batucada itself as a conception in itself, to move towards more possibilities of presentations than representations to the understanding of batucar. In this way, the path taken was in the interdisciplinary, intertextual scope and from a bibliographic review with clippings that relate to conceptual and theoretical texts such as films, songs, dances, paintings, poems, stories read, heard and seen, among other narratives. Who theoretically contributed to the work. In this direction, finally, we visualize the thought in the imminence of being able to be woven as batucada and vice versa, as a means of expressing and proceeding.